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The Lamppost That Knew Too Much

Lamppost #14 on Mulberry Lane developed opinions in the autumn of its eleventh year.

An ornate street lamp with a face in its glass stands on an autumn cobbled lane of shopfronts, under a Mulberry Lane sign.

It started small. Lamppost number fourteen on Mulberry Lane had stood at the corner for eleven years without saying a word, which is the usual arrangement between lampposts and people. Then, one damp evening in early autumn, it flickered as Mrs Halloran walked past with her bad-tempered terrier. It was only a slight flicker, barely a blink, but everyone who saw it agreed afterwards that it had carried an unmistakable note of judgement.

By the middle of October the lamppost had moved on to mild commentary. When the postman dropped a parcel in a puddle, it brightened a fraction, as if applauding his recovery. When the council hung a banner for the autumn fair in a font nobody liked, it dimmed for a full minute. When the Okafor twins came home late on a school night, it glowed steadily until their front door closed, and then, with great discretion, returned to normal.

The street learned to read it the way you read a quiet relative at a family dinner. Bright meant approval. A quick flicker meant disappointment. A long, slow fade meant it would prefer not to be involved, thank you. Neighbours began checking it before making small decisions, such as whether to repaint a door or whether that second helping of cake was really necessary, and the lamppost, to its credit, was always honest and never unkind.

In December the council announced that the old lamp would be replaced with an efficient new model. On the morning the workmen arrived, lamppost number fourteen dimmed itself, very theatrically, and stayed dim for three days in a row. The street put a small card on its post. Someone added a scarf. The workmen stood around looking at the scarf for some time, drank their tea, packed up the van and left, and nobody from the council has mentioned it since.

The story is invented, but the feeling behind it is common. People grow attached to the ordinary objects that frame their days: the corner lamp, the old postbox, the bench outside the shop. We give them names and moods almost without noticing, and when one of them is threatened, a whole street can suddenly discover how much it cares. A familiar light on a dark walk home is a kind of company, even if it has never said a word.

So if your own street has a lamppost that seems to brighten when you pass, there is no need to report it to anyone. Nod to it on the way home. Keep your front garden tidy, just in case. And if the council ever comes to take it away, you already know what to do: a small card, a warm scarf and a great deal of stubborn, neighbourly affection. It worked on Mulberry Lane, and the street has been brighter ever since, in the ways that matter.

This is fiction. This piece was invented for entertainment and is not a factual report. Any "facts," "people," "events," or "studies" mentioned have been imagined. More →

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